Fahrenheit by on Prezi
Oct 9, Beatty was placed in this story to help yet hurt Montag. Beatty's important because he warns him about what happens if you keep a book, "'Well. a beautiful 17 year old girl who introduces Montag to the world's potential for beauty . How does the advice Beatty gives Montag ("You always said, don't face a. A retired English professor whom Montag encountered a year before the book opens. Shakespeare tragedies does Beatty quote immediately before his death ? . His understanding of civilization and the relationship between hunter and .. To whom does Candy look for advice before allowing Carlson to shoot his dog?.
Argue whether people today should feel more or less safe today than they did during the Cold War of the s and s. Style Structure Bradbury has structured Fahrenheit into three parts which parallel the stages of Montag's transformation. Part One is called "The Hearth and the Salamander.
While Clarisse and Mildred are introduced in this section, the other main character is Captain Beatty.
Montag's conflict with the captain begins in Part One. Part Two is called "The Sieve and the Sand. He is reading books. He has established an alliance with Faber, who has equipped him with a two-way communication device. Montag's dialogues become angry and incoherent as he is torn between listening to people around him and to the voice of Faber in his ear.
This section of the book ends with Montag in front of his own house, where he has come to bum books. His illegal activities have been exposed. He kills Beatty after burning down his own house and is chased by the Mechanical Hound as he makes his escape down the river.
The other important character in Part Three is Granger, who introduces the work of the book people. The book ends with his meeting the book people, the bombing of the city, and a note of hope for the future. Point of View The book is written in the third person "he" with its central focus on the thoughts and actions of Montag.
Much of the excitement in the story, though, comes from the descriptive passages of the setting, action, and characters. Through his poetic descriptions, Bradbury makes the unreal world he describes seem real. He is able to make the fantastic seem real and reality seem fantastic, which establishes a tension that moves the story along. The narrative is interspersed with dialogue between characters. Some of the dialogue is didactic—that is, somewhat preachy—and tends to delay the action.
These instructive passages, however, do reveal Bradbury's basic point of view, which passionately embraces the importance of books for human beings. Clearly, he has written Fahrenheit in order to express this opinion. His purpose is not merely entertainment, although readers do find the novel an enjoyable work of fiction. Symbolism Fire, the salamander, the Mechanical Hound, and the number of the title are important symbols that Bradbury exploits in the novel. At degrees Fahrenheit, paper will bum.
Fire is a primary image in the book. In the work of the fireman it is seen as a destructive force. It stamps out books and the freedom of thought that books represent. In the beginning, Montag enjoys its qualities.
He even likes the soot that it leaves behind. Later, when he is with the book people, fire is used constructively to warm people. When the Phoenix myth is used in the book, fire becomes a symbol of renewal. Out of the ashes, the mythical bird will be renewed. The suggestion is that a new society will be born from the ashes of the old one.
The symbol of the Phoenix is used in contrast to the earlier use of the salamander. The dangerous fire lizard of myth, a symbol of the firemen's society from which Montag escapes, the salamander represents the destructive uses of fire. The most frightening symbol Bradbury uses is that of the Mechanical Hound, which represents the dehumanizing side of technology. This fierce creature seems to have powers greater than human ones; it has inescapable tracking capabilities, and can capture its victims with just one sting of anesthetic.
Bradbury has made the creature seem so real that it exists in the novel as an important character. When the Mechanical Hound pursuing Montag is destroyed, another one is sent in its place, suggesting that technology used destructively cannot be easily demolished.
Historical Context Book Burnings Bradbury had a number of recent historical events on which to base Fahrenheit when he wrote the book in the early s. The book burnings of the Nazi regime in Germany during the s had been widely shown after World War H. These book burnings became a major symbol of the repression that followed in Nazi Germany. The importance of books and the freedom to read them was a central concern of liberal-minded people during the s.
Discussion Blog 1: Fahrenheit - CHS AP English
As the Senate hearings of Joseph McCarthy began to focus on writers and film makers, the question of artistic freedom troubled many people and became the subject of debate. It was within this context of artistic repression that Bradbury expanded his story "The Fireman" into a full length novel. The fact that the book was reprinted forty-eight times over a twenty-five year period after its publication is indicative of the fact that Bradbury hit a vital nerve center of public consciousness.
Unlike many of the characters in Fahrenheitthe American reading public ultimately rejected the idea of thought control that was present during the McCarthy hearings. Censorship While Americans are guaranteed free speech and a free press in the Bill of Rights to the Constitution, a history of censorship has nevertheless existed in this country.
Censorship was at times allowed and even enforced by the United States government. In the early years of film making, censorship was allowed on the grounds that movies were entertaimnent and not an expression of free speech. Senator Joseph McCarthy's hearings into the political background of artists led to the "blackballing" of several prominent Hollywood writers during the s.
While the Supreme Court decision allowing censorship of films was overturned instrict regulation of film content persisted into the s. Today, the attempt to censor artistic products comes mainly from organized pressure groups. Ironically, Bradbury's publishers, unknown to him, bowdlerized Fahrenheit —that is, "cleaned up" or deleted some of the language that Bradbury used—in order to make the book saleable to the high school market. Since the advent of films, television, and the internet, efforts to limit access by children to certain types of material in these media has persisted to this day.
The general method has been to have producers of these media rate the programs and place the burden of responsibility on parents to censor what children see in the movies, watch on television, or have access to on computers. Political Repression and Conformity Besides the repression that took place during the Nazi regime in Germany during the s and s, similar political repression and dictatorship had been taking place in the Soviet Union.
Frequent reports of Soviet repression of writers and censorship of books were in the news. In his dystopian novelGeorge Orwell had satirized what he called "big brother," a government figure who was always watching the public. Orwell also used two-way television to illustrate how the new technology could be used against the public. Bradbury presents television in Fahrenheit as a drug that stupefies its viewers. Much of the pressure to conform in the United States during the Cold War was derived from the holdover of a wartime psychology that was strong during World War II.
The mobilization during the war spilled over into the postwar era. As the United States and Europe went through a period of rebuilding domestic markets, the Cold War also stimulated a military economy. Opportunities for advancement abounded.Dr Phil Marriage Counseling
Jobs were plentiful and people were encouraged to "work hard and get ahead. If you "followed orders, you would succeed" was the conventional wisdom of the day. This attitude is reflected in Bradbury's portrayal of Montag in the opening scenes of Fahrenheit Technology From the early days of television in the s, when every American scrambled to have one in the home, to this day, watching television has competed with reading books.
In the s, schools began to use television in the classroom, because it was becoming apparent that children's reading levels were dropping. Bradbury, who had been nurtured as a child on books, used this in his novel to show how literature was begin reduced to the simplest, most general terms.
More than any other aspect of the technological revolution that has taken place since World War II, none has had a greater impact than the development of the atomic bomb and atomic energy. During the s and up until the fall of the Soviet Union, the fear of nuclear war was a real threat in the minds of people. The fear of damage from nuclear waste remains an environmental threat.
The fear that destructive atomic power might fall into the hands of terrorists is also an issue that compels political discourse and action. It is within an atmosphere of fear that repression can flourish. In FahrenheitBradbury recreates the atmosphere of fear and repression that prevailed when he was writing the book.
During the McCarthy hearings, artists and writers lost their jobs for their politically liberal and left-wing leanings. More outlets exist for artists with out-of-the-mainstream views, both liberal and conservative, but when most media companies are owned by giant business corporations, these individuals are less likely to be heard by many people. The fear of nuclear conflict with the Communist Soviet Union was at its height.
Fear that atomic bomb capability will fall into the hands of terrorists prevails. Censorship was accepted by many as an unofficial good and is allowed by the federal government in cases like motion picture content. While government-sponsored censorship is considered a threat to personal freedom, more people are inclined to support the restriction of exposure of pornographic and violent media material to children. These forms of expression, it is believed, corrupt the values of society. Most people conform to the social norms of the day.
Social outcasts like the "beats" are small in number. Multiculturalism flourishes as various ethnic and cultural groups celebrate their differences from "mainstream" society while at the same time a backlash can be seen in groups like the "English [Language] First" movement. Television made a technological impact on how people entertained themselves. Computers compete vigorously with television as an entertainment source.
The film industry has been reinvigorated both at the movie theater and as producers of videos for home entertainment. Another technological advance that Bradbury deals with in his book is the development of robots. In the Mechanical Hound he presents a robot that is more powerful than a human being in its ability to "sniff out' its prey. This representation reflects a commonly held view that the nature of robots is to be feared because they do not possess human qualities and might even be able to take control over human beings.
Many science-fiction "mad scientist" movies of the s capitalized on this fear by portraying monstrous creatures created by misused technology as well as technology itself revolting against its creators. This fear of technology was pervasive during the s. Critical Overview Reception to Fahrenheit has been mixed. While praising the book for its effective prose style and handling of important social issues, several aspects of the work have been criticized.
Obscure references, such as those to the Phoenix myth and the sixteenth-century martyr Master Ridley, have been faulted for being inappropriate for general readers. References such as these and the novel's emphasis on the value of literature over that of mass culture have also led to attacks on Bradbury for being an elitist. Another area of criticism is that the author pits intellectuals against ordinary people.
The book people, represented mostly by scholars, will save humanity, while ordinary people like Mildred contribute to the degradation of society by falling victim to social conformity. In spite of these criticisms, many analysts find a great deal to praise in the book. John Colmer, in an essay in Coleridge to Catch, is struck by Bradbury's ability to convey horror.
Bradbury is successful "in creating the horror of mechanized anti-culture," Colmer believes. Colmer, though, is one of the critics who finds Bradbury's allusions to culture forced and sentimental. He … explain[s] laboriously. As a result the novel "is an intensely serious work of popular Science Fiction. In his essay in Ray Bradbury, David Mogen claims that Fahrenheit and the collection The Martian Chronicles are "destined to survive as Bradbury's best-known and most influential creations, the most sustained expressions of his essentially lyrical treatment of science-fiction conventions.
Mogen also praises Bradbury for his ability to use the fireman as a central metaphor in the story. In discussing the development of Montag in his essay Ray Bradbury, Wayne Johnson finds that the premise of a fireman starting rather than putting out fires is "farfetched. Placing Science Fiction and Fantasy. Wolfe, in his essay on Bradbury in the Concise Dictionary of American Literary Biography, praises Fahrenheit as a "passionate attack on censorship … equally an attack on the growing power of mass culture, particularly television … which consistently falls prey to the demands of special interest groups.
Among the highest praise Bradbury has achieved for his work is the recognition of his stylistic excellence. Eller Eller is an assistant professor at Northeast Louisiana University. In the following essay, he explores the historical climate that helped create Fahrenheit and its protests against mindless confornity and censorship. Bradbury developed Fahrenheit during the late s and published it in just after World War II and during America's growing fear of communism.
However, the Nazis went further; using new technologies, they attempted one of the largest mind control experiments in history by setting up state controlled schools and a propaganda machine which censored all ideas and information in the public media.
To make matters worse, after the war the Soviet Union developed its own propaganda machine, created an atomic bomb, and invaded Eastern Europe.
All this time, new technological innovations allowed these fascist states to more effectively destroy the books they didn't find agreeable and produce new forms of communication implanted with state-sanctioned ideas.
Finally, and most significantly for Bradbury, the U. In other words, it responded with the same tactics of tyranny implemented by Nazi Germany and the Soviet Union. The McCarthy hearings in the early fifties attempted to rein in what it saw as communist sympathies among authors and Hollywood producers.
The FBI investigated the potential disloyalty of U. The federal government began attempts to restrict the free speech of judges and university professors by requiring loyalty oaths. Fahrenheit appeared in this political climate of technologically supported suspicion and censorship, a climate which seemed to promise the possibility of the mass conformity in our citizenry.
It is no surprise, then, that these concerns are central to the book's themes. Montag and his wife, Mildred, live in what Bradbury imagines as the culture which might be produced if such trends continued.
They live in a futuristic community that uses technology to control what they think and feel by controlling what they see and hear. They are encouraged to use sedatives to keep themselves docile and their senses dull. They have all the latest entertainment technology—three walls of their "living room" display soap operas, "seashell thimble" radios pump high fidelity sound directly into their ears, and two-hundred-foot billboards line the freeway, blocking out the natural landscape and replacing it with advertisements.
There is one telling scene in which Montag attempts to read and remember the Book ofEcclesiastes while riding on the train to see Faber, his newfound teacher. He cannot, however, manage it because the train's sound system plays an advertisement for Denham's Dentifrice over and over: Everywhere he goes in these controlled spaces the system is there to limit and shape what he thinks by feeding him sights and sounds.
Mildred is the end product of this system. Mildred, as does most of the community, immerses herself in the media provided for her to consume. Whenever she is not at the TV, she plugs in her earphones, always soaking up the artificial stimulus and messages someone else feeds to her.
The result is that she is literally incapable of thought and remembering. When Montag questions her about an argument that the characters are having on the wall TV, she can't remember what it was about even though it happened only one minute past.
When he is sick and asks Mildred to get him some aspirin, she leaves the room and then wanders back a few minutes later, not a thought in her head. The situation is so serious for Mildred that she might as well be an empty shell, a corpse, or a machine herself.
As it turns out, Mildred is literally on the verge of being a corpse, having almost over-dosed on sedatives. Montag comes home after a satisfying book-burning, only to find that his house feels like a "mausoleum" and his wife "cold" and himself "with the feeling of a man who will die in the next hour for lack of air. They treat her like an extension of the snakelike machine they use to "take out the old and put in the new.
In other words, people are no more than extensions of machines; they are machines themselves. The "technicians" treat them appropriately, as either broken, like Mildred, or in good repair. Technology violates their humanity. What Do I Read Next?
Bradbury's collection of linked stories, The Martian Chronicles, uses the conventional settings of science fiction to address issues such as racism, censorship, technology, and nuclear war. The framework of the collection is the human colonization of Mars, and the individual stories look at how individuals try to build and fit into a new society.
The collection is marked by Bradbury's distinctive poetic style, and is widely considered a classic. Margaret Atwood's novel The Handmaid's Tale depicts a future American society where behavior is strictly controlled.
People are given specific tasks to perform and must conform to assigned behavior. This futuristic society is one in which men dominate women, who are restricted to domestic roles. The handmaid's job is to bear children, which will be turned over to the privileged class of women who are the wives of the governing men.
As in Fahrenheitthe central character is ultimately able to escape through an underground network. A manuscript is found several centuries later and is presented at a scholarly convention, which tries to identify some of the characters in the story. This final section satirizes scholarly inquiry.
His novel depicts an American society in the year that has become a cooperative commonwealth where there is no longer any competition. Bellamy advocated the nationalization of public services in his "brave new world. A Clockwork Orange was written by Anthony Burgess in It is a futuristic novel that centers on thought control and the methods used by a totalitarian regime to brainwash people. Aldous Huxley's utopian novel, Brave New World was written in Huxley depicts a world in which genetically specialized test tube babies are developed to perform specific jobs.
Recreation is done on a group basis only. Any form of individualism is fully discouraged. Those who do not conform or are too old are sent to live on reservations. The book is a satire of the modern world, which is depicted as an anti-feeling, anti-human, and anti-emotional place. The characters are all farm animals, with the pigs taking power since they are the most intelligent creatures. Orwell's novel was published in It presents a stark picture of the world ina time when thought control fully regulates every aspect of life.
The world is divided into three spheres of power that try to maintain that balance through police state methods. Two-way television enables those in control to monitor the activities of the populace. History is rewritten, computer data banks keep track of everyone, and a new language, "newspeak," reverses truth to accommodate the political structure. The most complete violation of humanity would be the replacement of the human with a machine in perfect conformity with the system which created it.
This may not be possible with humans, but it makes the Mechanical Hound the perfect creature of the system. It makes the Hound a failsafe against the possibility that a human member of the mass society will be tainted by individuality and independent thought. The Hound cannot be so tainted.
It lacks the two key ingredients which might allow it individuality and independence—its own thoughts and true sensations. As Beatty says, "It doesn't think anything we don't want it to think … a fine bit of craftsmanship.
This makes the Hound the best guardian of their way of life. As a result, when Montag grows more aware of how the system has deprived him of sensation and thought, the Hound grows more aware of Montag. The Hound may not be able to touch the world, but it recognizes the smell of thought, it recognizes that Montag does not belong to the same system it does. All is not lost, though.
Montag's teachers lead him out of this controlled and sterile world. Clarisse, the young seventeen-year-old "oddball," is his first teacher. Clarisse prods him back into experiencing the outside world's sensations, especially smells as simple as "apricots" and "strawberries," "old leaves" and "cinnamon," smells which up to now have always been dominated by the odor of kerosene. She entices him out of the insulated "walls" of their house and into the rain, away from the rule books and 3-D comics whose content is strictly controlled so as to ensure that everything is agreeable—that is, all packaged to promote conformity and consumerism.
She ignores his authority by openly questioning whether he can even think and challenges his smug superiority by seeing through his "mask" of happiness and into his deeper discontent. She tells him how she eavesdrops on others and finds that young "people don't talk about anything" except to trade the brand names of clothes and cars. She points out that the two-hundred-foot billboards hide the real world.
She teaches him that he and everyone else are subject to the dictates of others, that their thoughts and experiences are controlled. When Clarisse "disappears," Captain Beatty, Montag's superior, ironically becomes his "teacher.
Beatty tells him that the condition of the world and the rejection of "books" and their ideas was a "mass" phenomenon. Not only did the population find it easier to read condensed versions of literature and digests rather than whole works, but it was also more "agreeable. It becomes easier and safer to do away with them altogether; this is the job of the fireman.
Over time, substitutions displaced books altogether: Fill them up with "non-combustible" stuff so they feel "absolutely brilliant" but lack any thought which may have "two sides … no philosophy or sociology," says Beatty. Then we can have a perfect tyranny of technology over the comfortable and thoughtless. The problem, however, is that if books are the way to "melancholy" and unhappiness, then why is Mildred so deeply depressed and Montag so angry? Montag's third "teacher" explains the source of their unhappiness.
Faber, the old college English teacher, argues that the "telivisor" is irresistible. Furthermore, if you "drop a seed" take a sedative and turn on the televisor, "[It] grows you any shape it wishes. It becomes and is the truth.
Perhaps the most frightening image in the book makes this idea of thoughtless masses under the direction of technology concrete for us. At the end of the chase scene when the Mechanical Hound closes in and Montag approaches the river, the broadcaster asks the whole population to rise and go to the door and everybody look out at the street at the same time.
Montag has a vision of the population acting in near perfect unison under the direction of a technological device—a truly frightening vision of humans turned into conforming automatons. Faber argues, however, that books have a "quality" or "texture of information. This "texture of information," along with the leisure time to absorb it and the freedom to act on what it allows us to discover, is what Montag needs to make him, if not happy, then at least satisfied.
In a sense, Montag's awakening sensations, his growing awareness of smells other than kerosene, his new appreciation for rain and the light of the moon, symbolize the "quality" found in books. Throughout the book, we get hints about this.
After his wife's mishap with the sedatives, he feels suffocated and empty, and in a fit of desire for something more, he throws the sealed windows of the bedroom to let the moon's light fill the room. When he is trying to memorize the Book ofEcclesiastes and the Denham's Dentifrice advertisement interferes, he has this urge to run out of the train and experience anything, any sensation, even if its the pain of a pounding heart and lungs gasping for air.
When he lay in his bed the night of the old woman's burning, he feels that he "never … quite … touched … anything. All in all, the idea is that if Montag is to escape the technological cocoon which the culture has built for him, he must do it in mind and body, in books and sensations. This is no new idea, that the mind and body are one. If this is true, then it is also true that if you control the experiences of the body so, too, will the mind be controlled. And viseversa, if you control the depth of ideas and smooth out the "texture of information" in the media, the body will lose its ability to absorb a wide range of sensation.
We see this effect on Montag when he finally climbs up out of the river. Having been deprived of deep and textured sensations most of his life, he was "crushed" by the " tidal wave of smell and sound. The narrator tells us, "enough to feed on for a lifetime"; there are "lakes of smelling and feeling and touching.
The book people Montag discovers at the end of the novel show that you must abandon the system and get "outside" the technological cocoon. You must internalize the conflicting, richly textured information and ideas of books before you can be an individual not subject to the repressive conformity of the masses.
The book people are literally outside in nature as well as figuratively outsiders alienated from the culture. They have literally internalized books as well as figuratively become "book covers. Maybe this is why Bradbury was so outraged by the book bumings in Nazis Germany. Maybe this is why he says "that when Hitler burned a book I felt it as keenly, please forgive me, as his killing a human, for in the long sum of history they are one and the same flesh.
Eller, in an essay for Novels for Students, Gale Wood In the following essay, Wood compares Fahrenheit with Margaret Atwood 's The Handmaid' s Tale, focusing on their historical context and respective treatment of conformity and institutionalized repression.
Wood, "Bradbury and Atwood: Wayne L Johnson In the following except, Johnson provides concise analysis of plot, theme and elements of fantasy and social criticism in Fahrenheit Martin's Press,pp. Slusser, et al, Southern Illinois University Press,pp.
Donald Watt, in "Buming Bright: Olander, Taplinger Publishing Company,pp. James Press,pp. Bradbury narrates the history of his book's writing. One of Fahrenheit 's preoccupations is with "majority rule" which to him is the same as censorship. This essay puts that theme from the book into the historical context of the s, when it was written. A review in the ALA Bulletin, vol.
Moore explores the themes of censorship and confonnity in Fahrenheit The article includes material from an interview with Ray Bradbury in which the author ridicules the trend of watering down the classics to make them easily accessible to everyone. The characters in Fahrenheit live in a consumer culture which can only work if it keeps them in a controlled environment, inside the house, the car, and the fire station.
Once outdoors and away from the media which defines their secure world, the society loses control of them. This critic explores the idea in Ray Bradbury's novel that written books replace the ability to remember. Those like Captain Beatty with access to literature, as opposed to rule books and comics, have power over the lives of others. Greenberg, and Joseph D. Olander, Southern Illinois University Press,pp.
This essay attempts to justify apparent ironies and contradictions in the novel by describing how it fits into the time in which it was written. Cite this article Pick a style below, and copy the text for your bibliography. What words does Bradbury use to describe these scenes? Beatty says that Montag wanted to fly near the sun and burnt his damn wings. Beatty wanted to die. What is the rough plan hes forming? Does war have the same meaning in this world as in our world? Crossing the road is a bit of an ordeal for Montag for several reasons.
What did Montag do at Fireman Blacks house? What is the irony in the phrases hobo camps and Harvard degrees on page ? Another Mechanical Hound has been brought to hunt Montag. What precautions will he have to take now? What does he tell Faber to do? What happens when the Hound reaches Fabers house?
How is Montag almost caught? What does Montag do to cover his tracks? How does Montag feel about the river? He thinks of Millie.
What does he think? How does he feel? As Montag adjusts to being away from the city, what does he remember from his childhood? He thinks he sees the Hound, but what is it? Montags senses seem to be reawakening as he goes farther into the river and deeper into the countryside. What does he feel, see, smell, hear and taste? He thinks again of Clarisse. Do you think Montag safely got away from the helicopters and the Hound? Pages Day 14 1. There have been a few more reminders of how futuristic this world is.
Then, tell about the sci fi fluid on page What does Montag find? Describe the television coverage. How are the books being kept? Montag thinks again of Millie. What does this tell us about his true feelings for her? What does he think is happening to Millie? What wisdoms did Grangers grandfather share with his grandson? The war is quick. What is Grangers rather poetic and hopeful message on pages ?
What are the men going to do now? Found poetry is created by taking words, phrases, and sometimes whole passages from other sources and reframing them as poetry by making changes in spacing and lines, or by adding or deleting text, thus imparting new meaning.
It is much like a picture collage, but with words. You will create a Fahrenheit found poem. Your poem should be a minimum of 20 lines. You can make several smaller poems, if youd prefer.
Choose one of the options below from Part 1, 2 or 3, and write a thoughtful analytical essay in response. Part 1 Writing Analysis options A. Imagery uses our memories, knowledge and five senses to make literature realistic and vivid in our minds.
Ray Bradbury uses quite a bit of imagery. Choose several examples from Part 1 of Fahrenheit Write about why and how readers can relate to these descriptions; what emotions are expressed?
What is special about the writing? What do these images mean? What does Bradburys imagery add to the story? What happened to Clarisse McClellan? Support your theory with evidence from the novel. Part 2 Writing Analysis options A. Review all the futuristic details Bradbury incorporates into the story. When and where do you think the story is taking place? Consider the automatic fire pole, the door lock that recognizes your hand, jet cars, the air trains, Seashells or thimble radios, joke boxes, musical walls, TV parlors, Fun Parks, Window Smashers, beetles,robot bank tellers, etc.
What do the technological details reveal about what is important to this future society? What do the science fiction elements show readers about the values of the people in the novel? You may also write about how realistic or unrealistic these sci fi details are. Analyze the main character, Guy Montag. Is he a believable character readers can relate to? What has Montag been learning and realizing throughout Parts 1 and 2 of the novel? Hes been changing and noticing more.
He comments several times that he feels like he is two people or that his hands are acting without his permission. What does this mean?
What effect did meeting Clarisse McClellan have on Montag? What is he learning and noticing about himself and the world? Pages 9, 15, 21, 35, 38, 39, 73, 74, 78, 99,might be worth re-reading. Montag tells about his childhood a few times throughout Parts 1 and 2. He remembers sitting with his mother in a blackout with a candle on page 5.
Part 2 is titled The Sieve and the Sand from another childhood memory; Montags cousin tricked him into trying to fill a sieve with sand at the beach. What do these memories tell us about both Montag and the futuristic world he lives in?
Part 3 Writing Analysis options A. How is the futuristic world in Fahrenheit similar to our world today? Bradbury mentions Seashells, lack of front porches, parlor walls, war, live broadcasts, athletes revered over intellectuals, disposable conveniences, dysfunctional relationships, etc.
The three parts of the novel have interesting titles. Analyze each one for its meaning.