WB Yeats and Maud Gonne love story | Ireland Calling
William Butler Yeats was an Irish poet and playwright. Maud Gonne's marriage broke down and eventually her former husband died. The most important event in Yeats's life during these London years, however, was his acquaintance with Maud Gonne, a tall, beautiful, prominent young woman. Yet, for successive biographers of Maud Gonne and W.B. Yeats, this All the friends and relations of the couple advised against the marriage."The Sorrow of Love" by W. B. Yeats (read by Tom O'Bedlam)
This double whammy is something which in most books is extremely hard to achieve, and really quite inexcusable. Worst of all, despite the author's clear devotion to her protagonists, the great W B Yeats's work is regularly misquoted. In the author's reprinting of the poem "He Tells of A Valley Full of Lovers" [sic] p the phrase 'drown their eyes with your hair' is rendered as ' In "The White Birds" p9 transcription errors are made in just 12 lines, with Yeats's 'it can fade and flee' turning into 'it can pass by and flee', and 'a sadness that may not die' becoming 'a sadness that never may die'.
These mis-transcriptions occur through the book.
Her Secret Rose (The Yeats-Gonne Trilogy Book 1) by Orna Ross
Letters suffer the same fate. For example, in an letter from Gonne to Yeats, reproduced on pp, the author creates her own version, in the process making 39 errors of transcription, including removing or adding words, and even changing a name.
Not honouring and correctly representing a Nobel Laureate's published work is clearly not a good ground rule for writers seeking historical verisimilitude. Orna Ross is founder and director of the Alliance of Independent Authors ALLione of whose requirements in its Code of Standards is for members to "fully engage with the editorial process".
From their first meeting they are united by their passionate commitment to Irish nationalism, but there is much that divides them.
Gonne is independently wealthy, worldly and confident. She has the resources — bolstered by an unconventional upbringing — to break through many of the constraints facing women at the time. He becomes infatuated with Gonne and she looms large in his thoughts and fantasies even though they rarely see each other. She, in turn, seems to need his friendship, though it is never entirely clear, perhaps even to Gonne herself, whether she feels a profound connection to him or whether he is just another plate she has to keep spinning.
Take This Tricky Irish History Quiz · The Daily Edge
The story is narrated by Rosie Cross, a woman who reveals little of herself in this first volume, except to say that she was also involved in nationalist movement and was a servant at that time. This frame works well — Rosie is close enough to know their thoughts and feelings but also has a nice ironic distance. She is clearly not blind to the faults of her subjects.
Yeats, like his artist father, is concerned that his art should not be tainted by banal concerns such as earning a living. The burden of supporting the household therefore falls on his long-suffering sisters.
Silly Willie: A gentle poke at Yeats's lifelong crush on Maud Gonne
Gonne is portrayed as a more complex and enigmatic character. For all her strength and charm, she is embroiled in an abusive relationship with a married man in France who is happy to use her to further his own political agenda. Gonne elects to keep her private life a secret. She is constantly aware of her public persona and its importance to her political activity. She tells Yeats — and presumably the world at large — that her children are orphans she has adopted.
His lack of knowledge of her real life allows him to mythologise her further. Their vision for Ireland draws on Celtic myth and mysticism which can put them at odds with other nationalists Gonne is conflicted about whether to share a platform with a socialist, and at times people criticise her interventions in the evictions of tenant farmers as more theatrical than constructive.
It portrays two fascinating but not necessarily attractive characters, and gives an insight into an important period in Irish history. This review first appeared on my blog https: So when I was presented, through Netgalley, with Orna Ross's book "Her Secret Rose," I jumped at the chance to delve a bit into the early part of his life and his complicated relationship with his muse, Maud Gonne.
The book is easy to read, absorbing, and very well researched. Ellmann's book focuses primarily upon 'Yeats the Poet', his dictum "myself I must remake", his poetic processes and evolution, and Ellmann thoroughly understands and explains them as no other literary critic does. Ellmann's own style makes this part The late Professor Ellmann's brief biography of Yeats does not quite merit the appellation "definitive"--the "definitive" biographer of this most complex poet, playwright, politician, lover, father, occultist, true believer and skeptic, is Roy Foster.
Ellmann's own style makes this particular book extraordinarily accessible to the lay reader, and for that reason alone it will always remain the "classic" biography of W.
William Butler Yeats and Maud Gonne
No other 20th-century literary critic understood the major Irish modernists--Wilde, Yeats, Joyce, and Beckett--as well as Richard Ellmann. So if you are interested the the writers who verily created both "Modernism" and "Post-Modernism", you should read this book, and read it as a prelude to Ellman's other works, for "Yeats: The Man and The Masks" intended to introduce the world to the literary explosion that occurred in Ireland in the late 19th century.
And something extraordinary did indeed happen here in Ireland because of W.
The book was updated and reissued in Ellmann describes Yeats's life but is more interested in his work as a poet. Early Yeats is pictured as a Symbolist heavily influenced by Blake. This is placed in the context of his work on Irish folklore andhow tales of fairies and leprechauns reinforced Yeats's interest in the occult.
He felt that ancient Irish lore, still widely My Yeats obsession continues with Ellmann's book, first published in in close consultation with Yeats's widow George. He felt that ancient Irish lore, still widely circulated in the west of Ireland, offered access to the same kind of ancient wisdom that lay at the foundation of organized religion.
Ellmann traces Yeats's growth into a modernist poet as his fame and influence spread. The concept of the 'mask' is central to Yeats because he believed the self was always prone to adopting other identities that must be carefully presented to others. Ellmann was a master of literary criticism who studied both Yeats and james Joyce in depth. Yeats's poems can be read by themselves although some are quite difficult but a book like this one can really increase your appreciation of the many layers of style and meaning that went into Yeats's best poems.
Ellmann James Joyce, Oscar Wildethis is probably the most interesting in that it shows the artist and his vision in constant evolution.
- Her Secret Rose (The Yeats-Gonne Trilogy Book 1)
- Maud Gonne
- Take This Tricky Irish History Quiz
Perhaps that was the nature of Yeats' life and work.